Oh....it was "that bad", even though many other "pop artist" have done as bad or worse. As long as he doesn't try to "crawl back home" to hip hop after their done ripping him I'm cool.
It wasn't his live performance that made me wonder. It's the fact that he couldn't hit one single note in key. Which more than likely means that in the studio he didn't do ANY of the actual singing. He made sure his background singers hit the high notes, he didn't even try because he can't. There was some Milli Vinilli shit going down it the actual recording session with him doing a lite vocal track over it to blend in his voice.
The T Pain effect don't even jump off if you can't hold a note. U don't have to be able to flat out sing to use auto tune but you at least have to be able to hold a note.
There was hella tuning and pitching of his vocals in the studio which sounds whack as fuck when you perform live. He would have come out better totally lip syncing the singing parts or just letting his background singers do it.
He'll be clowned for months for that performance....google that shit and you'll see. U can't have his "bitchass" attitude and perform like that. Most people will not give him a pass on this.
LDB:
1) You are absolutely correct on the fact that Auto-Tune will not correct vocals that are WAY out of pitch (T-Pain can actually hold a note). There will be an obvious offending artifact after ATR applies itself to the wave file, and it won't sound good. There are artifacts on Ye's new album in his vocals but not flagrant offenders like the "pops" you sometimes hear when you apply to much Auto-Tune.
Judging on these vocals I can think of ONE thing that may have been applied.
I think Ye actually did sing on the tracks. I have been privy to sessions where the producer did not just Auto-Tune but PITCH-SHIFTED vocals SECTION by SECTION or SYLLABLE by SYLLABLE to get them in Auto-Tune range so they could "draw in" the singer's pitch.
But here's the support for your theory...
It sounds awful, and there would be a comb-filtered "masking" vocal applied to it. Usually the producer's. In that respect, there may be some form of Milli Vanilli shit going on. Many rock producers do this too, where a backing vocal(s) is sung by the producer and applied to the lead vox of the singer... with EQ boost to the "hot points" in the singer's vocal. The rest are notched or scooped out. Then the producer's vocal is comb filtered with EQ gain applied to the areas that were the lead vox eq was scooped out INTO the lead vox.
Apply ATR to the vox, thicken masking vox slightly with a Waves doubler... and then... well, you have "fake" vox.
Anyway - Judging on this vocal, I think he pitch shifted his vox first syllable by syllable, applied ATR section by section drawing each syllable into pitch (to bring it closer into tune). He probably then reapplied ATR to the entire mix but using automatic rather than the graphical draw-in.
In either case, it's studio "magic." LMAO.
2. Here's where I disagree most cats hating on Kanye (even though I keep saying: THIS ALBUM WOULD HAVE NEVER MADE IT PAST THE SUBMISSION STAGE if it were a no-name cat who made it.)
BUT Kanye has effectively differentiated himself from EVERY OTHER artist out there. Lil' Wayne did the ATR thing during the raps first (on a platinum level) - and Ye saw the trend, took it a step further.
THE POINT IS:
Kanye has differentiated himself from ALL rappers out there. Though people clown him, he had the #1 album, and it will/probably already went platinum. The fact that he's different is what also makes him popular. He's not Jimi Hendrix - who was a musical god - but Ye is faking the "pushing the envelope" thing in order to position himself differently than every other rapper out there.
This gives him more bargaining power. We clown him, but he's selling songs on iTunes like crack. He receives the biggest promo money cut from his label. He is consistently destroying comp everywhere EVEN though we clown him that he's lame, etc.
Remember, he's a triple threat because he proved:
1. He's a producer (2 revenue streams: upfront budget and points on a song/album)
2. He's an artist (2-3 revenue streams: shows, label deal with money upfront)
I left out points unless he gets double the points for having a SEPARATE budget for being producer of an artist that is himself (if you get it, you know what I'm saying - he double dips the record company.) Maybe I'm wrong.
3. He's a songwriter, not just a producer. (2 revenue streams - similar to producer).
With "Love Lockdown" he showed me that he can write a song (albeit not perform it well) for artists. This is DIFFERENT than writing a beat. He can write the whole melody, lyrics etc. Now he can try working with a Britney Spears if he wanted and keep the money flowing in.
(Don't knock me on songwriter royalty, publishing and other ways to get "points." I know some of these revenue streams can actually be doubled by technicalities.)
In either case he IS and WILL keep getting PAID.
If he wants to go into fashion (we knock him on that) guess what?
ANOTHER revenue stream.
He actually has innate talent. That's something that
50 Cent and T.I. have to
BUY from other producers or create their own writing pools in order to make hit records. Sure, they can spit - but they can't write the hook or compose the music. What good did pure cipher mastery do Ras Kass - arguably one of the greatest lyricists? The guy couldn't even write his own beat. Neither could Snoop or 50 Cent.
Props to Kanye - He has give or take 8 possible revenue streams. Each one probably yields $1million or more for him every year, depending on his output.
I can't hate him for pure hating - I just disagree with the stuff. But, I would be arrogant too if I was "invincible" with the hitmaking. Problem is... when the gravy train comes to a halt, as it usually does - people will laugh at you on the fall back down.
I think he'll be penning hits for a long time.