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  • warzone (nov 5-9) signup begins in...
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    What program should I buy?

    Yo! I'm fixin to purchase a new editing program. There are so many out there and they all seem so dope. I'm looking into Pro Tools digi001 or Mbox, Digital Performer 4.0, Cubase/the producers pack with everything. Lately I've been messing around with my hardware, mc505, triton, and yamaha cs1x...
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    big up da beatmakers u feel on dis site xcept URSELF!!!

    Chang= "A" for effort. Samples just a little off at times, although I havent' heard the new stuff. MilLion= dope inrcty= dope madscientist=only heard one track=dope There are ohter but I can't remeber. I will go back and listen and post again. Keep up the good work fellas.
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    To Triton users?

    I got the classic.
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    Shady crew in the UK

    Stage presence is so very important. I don't know why so many emcees sound like shit. I guess they don't practice mic control and breathing techniques. Thats why they have so many hype men because they run out breath sometimes on stage as where in the studio they can just pick up where they left...
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    Def Jam Guilty of Fuard

    Yeah!!!! I'm glad the little guy finally got some pay back. The gov is always backing major big business because they both suck eachothers dicks. Now only if we can see this happen in other industries because there is alot of indies out there being punked.
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    big time producers hiring musicians to reproduce sequences

    Dre is notorius for finding a loop sequence he likes and then bringing in musicians to replay play them over his drum beat. I know if you look at the credits on his songs you'll come across the name I think its Hector Elizondo or something like that. He is Dre's keyboardist. Dre also just humms...
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    What are your plans?

    I do it and dream of doing it for all of the above. I want to help put the midwest on the map. Particulary Colorado. I want to develop my own distinguishable sound. That definately can translate into doing movie scores. If I decide to flow, I definatley plan to make a statement. Kinda like Bob...
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    how long hav u guys been makin beats?

    On and off for five years. Mostly off.
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    The life of a producer...

    Life as a producer is difficult at times. Mostly for me its hard to find real peeps to work with or connect with. MC's come a dime a dozen and everyone wants to rap these days. But no one around my way really understands the hard work and dedication that involves putting out muzik, let alone...
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    To Triton users?

    You know. Once you have your tracks recorded and looped within the sequencer you can assign your tracks to the keys and play back your music.
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    To Triton users?

    Yo! I use the triton as my center piece in my lab. Due to the fact that I'm not tech savvy I have yet to scracth the surface of its capabilities. I can work with in the sequencer and loop tracks but thats about it. If there are any triton users who know the triton some what well, I would...
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    makin' a beat!!!!!!

    The best stuff is usually created within the first 5 to 10 minutes of sitting down at your keyboard. Now with sampling its different. If you're very good and lucky you can find a sample, sample it and loop it with in 30 min. to an hour. Then you still have to put a beat to it and that can take...
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    production gear

    I use a triton, yamaha cs1x synth, mc505, and one turntable.
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    Public Enemy and Cubase

    Public Enemy and whoever produced them during their time were straight pioneers of the art of sampling. Listen to the many sick ass samples that they put toghether to make a track. Mad sick!
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    The Neptunes

    The Neptunes are the shizznitt! They are mad versatile. They play multiple instruments and Pharell's voice is sounds tight on some tracks. Yeah their stuff is mainstream. Show me one producer who would turn down an opportunity to go from makin nothin per track to makin $100,000 per track plus...
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    BPM Range?

    Cope, what do you mean by doubling the amount? Dp you make a beat at 90bpm's and then increase by another 90 bpm's?
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    BPM Range?

    I was just wondering what bpm range do ya'll work with in? For some reason I tend to work between 90 and 110 range. I don't know why. Maybe it has to do with how the click track sounds. Maybe I just play better or feel the groove better when my track is clicking between 90 and 110 bpm's. Let me...
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    General production starting...

    But like I said, it's impossible for anyone to grab you by the hand and show you. I disagree. I think that if I could sit in with Dre, Rza, Alchemist, etc..they could show me how they produce beats just by me watching. Yeah there is more than one way to make a hott track, but most techniques...
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    Has any one used reason 2.0 software to make hip hop beats?

    Does reason come with a card or can I download it onto my mac with just a disk?
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