wowwwww...selling yourself short arent we
LOL.
Like most people, you're looking at the prices 'literally' but you fail to see the big picture or you may not understand how basic business works.
When you're an aspring producer, money is the last thing you should worry about.
Getting your paperwork straight, completing albums/mixtapes, and breaking new artists should be the only thing you worry about.
The 'problem' or the reason most producers don't succeed and are NOT making any real money is because they're living in a fantasy world.
In other words they're making beats for some rapper on a label that they may or will never meet when if the producer would simply focus on building complete projects with the up-and-comers around them, they would be a lot more relevant.
By setting a 'reasonable' price point on beats that would just sit on a hard-drive somewhere,
I'm helping a 'basement rapper' put some music together for his ride or his hood and I'm making a profit on something that may or may not ever be used and
most importantly that I can use again. by switching up a melody, drums, or adding keys.
You'd be surprised how much money you can actually make doing exactly what I just outlined.
There's a lot of producers off in La-la land thinking that Young Jeezy is gonna swoop down and buy a beat for $20,000 but I'm here to tell you it doesn't work like that. Build a pricing structure for the 3,567,892 rappers out there who may never make it and you can actually make a living at music without ever being signed.