The foundation was not sampling it was spinnin the breaks back to back and funkin it up from there.
So the the foundation is the DJ skills which are entirely missing now adays.
Once the sampler was born THEN it started but initially it was mostly composed.
lol...A dj spinning is not composing....it's mixing or remixing and if you look way back there^^^^^ you'll see that I mentioned the DJ/sampler first. The dj didn't compose the break! He basically "sampled" somebody elses composition by way of the turn table. You can say it was "live sampling" thus sample based. Sometimes you have to read all previous post before you just chime in on one.
Everybody has there interpretation of the foundation...some will say it all started in that Blondi joint "Rapture" (which was composed) but most know it was wayyyyyyyy before that. Others will say it was "blue lights in the basement and the dj catching a break and spinning it back while and MC rocked the mic. Some will say when the sampler was implemented because that's when it really blew the fuck up i.e. Pete Rock doing the Pat B joint "Love is a battle field". Either way "it's all good" and this is a good discussion because it helps the younger catz get some history which too many today don't posses!
READ ME!
In music, sampling is the act of taking a portion, or sample, of one sound recording and reusing it as an instrument or element of a new recording. This is typically done with a sampler, which can be a piece of hardware or a computer program on a digital computer. Sampling is also possible with tape loops or with vinyl records on a phonograph. (WHAT...NAH....THAT'S NOT SAMPLING IS IT RELIC....LOL)
The roots of hip hop can be found in 1970s block parties in New York City, specifically The Bronx[1]. Hip hop culture, including rapping, scratching, graffiti, and breakdancing. In the 1930s more than a sixth of Harlem residents were from the West Indies, and the block parties of the '80s were closely similar to sound systems in Jamaica[1]. These were large parties, originally outdoors, thrown by owners of loud and expensive stereo equipment, which they could share with the community or use to compete among themselves, who began speaking lyrics or toasting.
Rap music emerged from block parties after ultra-competitive DJs isolated percussion breaks, those being the favorites among dancers, and MCs began speaking over the beats[1]; in Jamaica, a similar musical style called dub developed from the same isolated and elongated percussion breaks. However, "most rappers will tell you that they either disliked reggae or were only vaguely aware of it in the early and middle '70s."[1]
Lastly, most existing hip hop acts were shocked when King Tim III's throwback [1] to radio DJs rhyming jive and the Sugarhill Gang's appropriation of rap on their remake, not sample, of Chic's "Good Times" were released, as most DJs and MCs knew each other and many had been attempting to record[1]. Early rap records are a mix bag of quality material by party veterans and poorer material quickly produced for a profit.
I THINK THAT ABOUT SUMS IT ALL UP! CAN'T MAKE AN ARGUMENT WHEN FACED WITH FACT!