Dropped a new beat "Lost Ones". Let me know what you think about this
This sounds great. A perfect Meek beat.
Dropped a new beat "Lost Ones". Let me know what you think about this
This sounds great. A perfect Meek beat.
Dropped a new beat "Lost Ones". Let me know what you think about this
with parallel compression the compression is full on, you just mix it in until you get the desired result from the mix of uncompressed and compressed signal. Id use the slow attack method when compressing directly and not parallel, say for example with glue compression on a drum bus, or even on a sound i would like to be less dynamic and more even in volume. The key to the attack speed is when you start to lose the transients(really important with vocals and drums), thats when you pull back on the attack a little. It really does come down to the individual sounds and what you wish to achieve with it as to what attack and release times you set. I dont use parallel(new york) compression much, but I always use compression, both side-chained from the kick to the bassline and on individual tracks. I often side-chain the kick and bass and also compress the bass separately to even out the volumes of the notes and to get it to stand out more in the mix. Sometimes I compress the kick, and the drum bus. It all really depends on what Im going for or what is required at the time. But understanding compression will take you mix game to the next level, takes a while to get to grips with, but once you get your head around it, it makes sense and will do wonders and you will wonder what was so mysterious about it in the first place. The best thing for making drums come alive is subtle reverb, its so easy to go overboard with the reverb, Ive often heard it said "When it sounds like you have the right amount of reverb, half it" Less is more when it comes to drums. I also put a high pass filter or cut the low end with an eq on my reverb bus, at around 120 - 200 hz, low end reverb sounds shit, but used sparingly on kicks it adds a whole new level of real to them. I find more "early reflections" set fast and less "tail" works really well for drums, gives it more of a room feel and not a hall feel. Hope some of this helps you out.@rek- Yup, last week I got some tips that my drums were a little soft so I remembered that I can beef them up with a slow attack compressor on a parallel aux... one for the important sounds like kick and snare... seems like it worked : ) shout out the forum
Heres something a little different. Oldskool reggae.
A song I finally finished today after about 8 years.
@Crispifier The promised land. Loving the sound selection. This is really dope. Cant fault it at all. Lots of subtle complexity. Dope as fuck.
Gourmet shit. The scratches in the intro sound real nice. You get the balance between a lot going on and simplicity bang on. Great work. My favorite is promised land.
@OMAR. Great sample, I like what you have done with it. I think you could do a little more with it though, like a hook that changes things up a bit, it doesnt really change up much. Dope beat though.