K
kickinit
Guest
Is the money worth buying an MPC even though i hardly sample and want to use it strictly for drums?
kickinit said:Is the money worth buying an MPC even though i hardly sample and want to use it strictly for drums?
eXampuL_oNe said:That's something you should ask yourself... What do u use as of right now? IF your using software and starting to get the feel of it, stay with that! ALot of cats fuck up by switching to hardware and then realizing how much different the process is ( I like using both myself, dont have an mpc though)...
If your using all hardware then maybe you should buy an mpc... You have to understand that an MPC is very, very powerful, if you learn it well! If you just want something to bang out drums on get yourself an MPD 16 or if possible, a Trigger Finger... What I would advise you to do is, look up info on what your trying to use it for and don't waste your money on something your only gunna halfway use...
This is "Hip hop production in the new millenium." You no longer need something as expensive as an mpc just to make hot beats.... Not to down the mpc at all but it's true... Stick to what u know and what you know will definitly benefit you and help to create your own style... Then again, What do u have as of right now?
kickinit said:Im using cubase with sampletank2,battery,reason, and a midi controller.
B.Hawk said:The Timing Is Super Tight On The Mp, You'll Need That Even Using Keyboards. So Just Midi It All Up And U Got A Monster Set Up, I Started With Just The Asr And Then Added The Mp And The Motif And Now I Got A Monster Set Up Cause The Sequencer On The Asr Is Not All That Tight!!!!! In Other Words The Mp Is Hot
Frictionbeats said:There is no "swing" magic in any MPC. Timing-wise, there is no difference between the 2000 and 60/3000 other than the 60/3000 have twice the MIDI outs and hence, less likelyhood MIDI jams. All MPCs are solid 96ppqn MIDI sequencers (as tight as MIDI can be, which is not that much anyway) with a absolutely tight internal drum sequencer with zero delay between multiple simultaneous instruments. There is no particular groove magic going on in any MPC - the swing and note shift features are static, faultless and perform no more magic than their counterparts on any mid-eighties software sequencer. If you are looking for advanced shuffle and humanize functions, you'll have to switch off quantizing and play them by hand - or use a big software sequencer and suffer its sloppy MIDI timing.
PPQN (Pulses Per Quarter Note, sometimes Parts Per Quarter Note)
The timing resolution of a MIDI sequencer. PPQN indicates the number of divisions a quarter note has been split into, and directly relates to the ability of the sequencer to accurately represent fine rhythmic variations in a performance, or to recreate the "feel" of a performance. Older sequencers were capable of 96 PPQN (sometimes even less), which often resulted in a stiff "quantized" feel to the music (even if it hadn't actually been quantized). Current versions can reach 768 PPQN or even higher resolutions, which is more than adequate for most musical applications. Note that the resolution of the sequencer is especially important at slower tempos. If your sequencer is limited to a lower resolution, one trick is the double the tempo of the song, then perform the parts in half time. This effectively results in a doubling of resolution.
Check your PPQN a lot of them are higher these days., I believe you can even change it; like in Fruity Loops. I want an mpc for the sequencer, pads, sampling, & to be cool..LOL. But people swear by these things. but all in all I've heard real dope stuff come from a variety of sequencers... I'am actually going to buy the trigger finger for now, to use with my Triton & Reason, MY fingers are too fat and end up hitting extra keys and shit..LOL!!
Peace out! I just thought this was good info to post.
-Fricitonbeats