I have a template that I start with, all my busses are routed, it has reverb and delay already set up, drums too. The sidechain from the kick bus to the bass bus is setup going to a dynamic eq on the bass bus. This ducks the clashing frequencies on the bass while allowing the non clashing frequencies to remain, its more transparent than just compressing the whole bass bus. But you know this.
I have an eq, tape saturation, L2 Ultramaximizer, SPAN on the master bus. I turn them off until I need them though.
I dont have any instruments in my template, its my choices with those that pave the way for where the beat ends up, which I never usually know anyway, beats just make themselves, I help them along the way.
I used to have templates like that set up when I was working in Sonar.
When I moved to Studio One it was so quick to use and adapt to I didn't bother setting up any.
Tempted to save my Master Bus chain as an FX chain just to save me time loading them. Really you should mix into them, but, meh I've been finding my way with it so far.
With my
original post/idea, I find it enables me to make beats/compositions that just sit well together and I can work quickly, I'll do it for several beats or if I want a similar one, then start again with another.
Producing 'em in series, like my 'Bag of Chips pt1, pt2, thru to pt5'.
The beats can actually
sound very different. Like you might expect them to sound too samey, but they don't,
but could all fit together if you wanted them to. Often I'll play one sound, add another, then maybe the rest of the sounds don't go for this one, so I'll bring in new sounds. But it's really quick and organic.