Hypnotist
Ear Manipulator
ill o.g.
I'll keep it really simple, unless someone else wants to add their two cents. (I usually write a book, but I just walked to Grand Central in Manhattan from Brooklyn to get on a train and I'm beat)
Here's a basic compression startup that works for me:
I usually start with a ratio between 3:1 and 4:1, threshold at -10dB, somewhat quick attack and moderate release. I change it depending on how the compression "breathes", but if your ears aren't developed for that yet, just pay attention to the meters, watch the compression kick in, and make sure you're not clipping.
As for EQ:
Most times, your vocal track competes with guitars, keyboards, samples, etc, and needs just a little bump, or "warmth" in the 3-5kHz range. Your vocals need to be up front, on top of the record. Don't go too crazy. Just enough to hear it. Never make drastic adjustments... one dB at a time or your ears will play tricks on you.
Here's a basic compression startup that works for me:
I usually start with a ratio between 3:1 and 4:1, threshold at -10dB, somewhat quick attack and moderate release. I change it depending on how the compression "breathes", but if your ears aren't developed for that yet, just pay attention to the meters, watch the compression kick in, and make sure you're not clipping.
As for EQ:
Most times, your vocal track competes with guitars, keyboards, samples, etc, and needs just a little bump, or "warmth" in the 3-5kHz range. Your vocals need to be up front, on top of the record. Don't go too crazy. Just enough to hear it. Never make drastic adjustments... one dB at a time or your ears will play tricks on you.