Well ill jump in this debate...
I agree with god... And by agreeing with him i don’t want you to think im knocking your hustle or your decision buy any means swival.. (or anybody else who goes to fullsail) Your doing your thing and you props for that...
But like you said yourself,swival you’re a rare a success story , 1-100 cats get to where your at.
To pay the amount of money you pay to go do full sail and deal with those odds is freaking ridicilous...
I have my bachelor’s degree in computer science from Florida state university
And I have a master’s degree in Information systems/software engineering from The University of Maryland. An audio degree from full sail costs almost as much as my bachelors and masters degree’s …. I’m sorry that’s ridiculous…Especially for an industry where knowledge and experience are the primary yardsticks… For a degree to cost so much with so little earning potential is freaking silly to me.
Now again, swivel.. Im not knocking full sail.. but if you take somebody with my technical background(comp sci, engineering, mathematics) and put them in the studio with a full sail cat.. I guarantee that the engineering cat will be much better off…. And have a much smoother learning curve I don’t care what they teach at fullsail… Once the technology the learned it would be a breeze. (if the person has an ear for music)
As most of us already know audio mixing and mastering is based on ratio’s , algothrems, and frequencies, all stuff that is taught heavily in any technical Bachelor of Science degree.
So when I see cats on this site coming out of high school contemplating going to full sail spending tens of thousands of dollars, thinking that’s going to give them a head start.. Im like NO!!!!
Take your ass to college get a technical degree that means something. Get a degree in a trade like engineering or comp sci and then become an apprentice to somebody in the field. I feel like full sail sales a dream, almost a shortcut to success to a lot of people.
Also if your going to pay that much for a diploma , your skills should transfer to another field. With any technical 4 year degree you have something to fall back on. It seems that with fullsail anytime you move outside your specialized field your fucked.. No safety net what so ever…
Again this is just my opinion and im knocking anybody…Like swival said the main thing is a persons hustle.. but you gotta be smart and play the odds as well
my humble opionion
class..
I can definitely see your viewpoint, and it makes sense to many ppl. But for me, I didnt want a fall back plan. Music was my only option, because its the only thing I want to wake up every morning doing. So my personal happiness outweighed the risks. But having said that, I still have bills to pay like everyone else, so I HAD to succeed. Failure was not an option. So I worked 100 hour weeks in the studio to make it work
My only disagreement is, you're comparing Full Sail to a state school. You need to compare apples with apples, not oranges. That's not really the correct comparison. As far as audio schools go, Full Sail is the best. So in that specific field, you need to compare its tuition with other elite schools in their particular fields. For example, Harvard Law, Wharton School Of Business, MIT's Computer Engineering, and so on and so forth. A degree from harvard, or columbia or MIT is gonna run you $200k. Roughly 40-50k/academic year. Same as full sail, except full sail is a 1 year program.
As I had mentioned before, although I can't knock Full Sail because it did put me in my position, I did not say its a pre-requisite for getting into the engineering field. There are far cheaper schools than full sail, and they all teach you the same basics. Personally, I dont think anyone coming out of Full Sail is more better off than anyone coming out of IAR (institute of audio research) in new york.
studios may be dying but the actual art and skill required to make a good mix are still alive and well.. there will always be a demand for that skill
I couldn't agree more. As far as engineers go, the ones who make the most money are the mixers. So these rappers can record in their basements all they want, but those labels are gonna take that trash and send it to the top engineers to make it sound right sonically. A skilled mixer will always be in demand. Recording engineers, not so much.