condenser mics

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Sanova

Guess Who's Back
ill o.g.
Battle Points: 9
good equipment def makes the differnece, but i rock a cheap MXL 990 mic and my quality isn't too bad. Just develop a relationship with your mixing board (or digital mixer on screen) some mixing and mastering tips from the resources section =]
 

P_1

One of THE OG MEMBERS
ill o.g.
Battle Points: 38
rode nt1a.

heard nothing but good things about it.

i use this mic. it works great. but you still need to know how and where to set it up and how to work with your interface. but for the price, this mic is good.
 

Shonsteez

Gurpologist
ill o.g.
Battle Points: 33
A/D Converters make a HUGE difference, ie. (this is in your interface typically), A good dedicated external preamp aside from the ones that come on your interface will also improve your signal, as you follow the signal chain you can guess whats next, Good cables, and then of course, A good quality Mic that accepts a wide freq spectrum and bandwidth along with a decent SPL handling.
 

7thangel

7th Angel of Armageddon
ill o.g.
the 410 is old and discontinued but it's newest versions, the 610 and the bigger 2626 have been compared to rme in terms of quality in ad/da and pre's, but less features. get a separate pre when you can afford it if you're going to stick to the 410

ask yourself if you need a condenser in the 1st place. don't overlook a dynamic, such as the always reliable sm 57/58, these are proven and ultimately, you have to find a mic that fits the voice, tone, style, etc of the person using it.

one thing about the rode mics are that they're too sensitive, sometimes thin, and personally, not good for aggressive vocalists and sometime baritone/deep vocalists too.
 

Shonsteez

Gurpologist
ill o.g.
Battle Points: 33
Like DaProduct said, the Apogee will provide you with great converters at a "prosumer" price but you sacrifice a lot of I/O options with that interface unfortunately. If you only need a couple Mic Line Ins, and a couple 1/4 In's then that interface would be good for you, if you plan to expand your tracking habits later on you will need to upgrade very quickly.

There really isnt an interface with "excellent" converters IMO under the 1000 dollar range maybe with the exception of the Duet, but like I said your really only paying for the converters with the Duet since you lack considerable I/O with an interface like that.

Something like the RME FireFace400 would be optimal for excellent drivers and additional I/O options. Were getting into the 1400 dollar range now so theres an obvious bump in cost for a unit like this. THIS, however is where you start to really see an improvement from your A/D.

Please keep in mind this is soley based on my educated opinion. Im sure others would easily argue the opposite, but thats my 2 cents if your looking for a SERIOUS upgrade and not something you will just need to upgrade yet once again in another 2 years.
 

Shonsteez

Gurpologist
ill o.g.
Battle Points: 33
I dunno man, they just got into the game of making microphones not too long ago. Companies like Neumann or ElectroVoice (just to name a few) have been around for decades refining their designs and making excellent microphones that you can trust.

Considering the fact that most M-Audio gear is typically "prosumer" quality I wouldn't bother.
 

samuelock

I want Funnel Cake.
ill o.g.
Battle Points: 110
i think at the price range you're looking for, getting a preamp would probably enhance your sound.

i got myself a presonus tubepre on ebay for $50. made my crappy $50 mxl 990 sound like a different mic. i've used many pro mics since i go to school for recording, but i gotta say, a cheap mic really does hold its own if you got good signal processing.
 
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