Hmmm..interesting question.
A lot of classics don't get money. To me Marley Marl has a lot of them. But, he didn't get paid...
I would rather take the Pharrell approach. Make some hot shit and be on every station..heavy rotation=money. In the end, that makes you a classic producer with an incrdible discography.
We do this for the love...but since it's so commercialized now...we should do it for the money too...it's hard for the love to keep ya motivated sometimes. When u can look at the bank statement and say "OK..I'm gettin money" that should motivate u to make hotter shit to get more money. (Duhh?)
ain't that obvious fellas?
Hmmm..interesting question.
A lot of classics don't get money. To me Marley Marl has a lot of them. But, he didn't get paid...
I would rather take the Pharrell approach. Make some hot shit and be on every station..heavy rotation=money. In the end, that makes you a classic producer with an incrdible discography.
We do this for the love...but since it's so commercialized now...we should do it for the money too...it's hard for the love to keep ya motivated sometimes. When u can look at the bank statement and say "OK..I'm gettin money" that should motivate u to make hotter shit to get more money. (Duhh?)
ain't that obvious fellas?
You make it sound so easy. there are MILLIONS of producers chasin that 1 placement for payment, much less a hit that'll get you REALLY paid. I still feel: do you have your own identity, build fan base, your shit will be classik to them.