C
cley
Guest
live 3
hey everyone,
I've just joined this board the other day but I've read it for a little while now, and I've noticed that many of you are using FL studio, Cubase, etc.
I haven't heard much discussion of Live 3 by ableton (www.ableton.com).
I rewire reason into it and use it as mainly a creativity type of program, since it is unique in that it pays so much attention to live 'jamming' styles of sessions (hence the name).
I just wanted to know if anyone on this board uses it, and if so could they share tips that they have collected with their experience? If you aren't familiar with it i would suggest checking out the website above for the details. It's quite a versitile and powerful program.
My tip to share is as follows...When I'm working on dropping a large crasshing hat I extend the length of the sample by 1/4 or even 1/8 of the next bar. That way it gives such a distinct sound flexability to hang back or be released prematurely, which i think gives it a nice rhythmic touch. I guess it breaks it away from the 'drum machine' sound.
hey everyone,
I've just joined this board the other day but I've read it for a little while now, and I've noticed that many of you are using FL studio, Cubase, etc.
I haven't heard much discussion of Live 3 by ableton (www.ableton.com).
I rewire reason into it and use it as mainly a creativity type of program, since it is unique in that it pays so much attention to live 'jamming' styles of sessions (hence the name).
I just wanted to know if anyone on this board uses it, and if so could they share tips that they have collected with their experience? If you aren't familiar with it i would suggest checking out the website above for the details. It's quite a versitile and powerful program.
My tip to share is as follows...When I'm working on dropping a large crasshing hat I extend the length of the sample by 1/4 or even 1/8 of the next bar. That way it gives such a distinct sound flexability to hang back or be released prematurely, which i think gives it a nice rhythmic touch. I guess it breaks it away from the 'drum machine' sound.