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Brooklynbeats10

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  1. B

    how much do you sell your beats?

    im tired of dealin' wit half-ass "rappers". I refuse to believe my beats is worth $50. Get on my level.
  2. B

    What label would you wanna be signed to?

    I'd either be with rocafella, or Aftermath. Cuz i'll know they'll keep comin to me for "that sound". And plus they get radio play regardless of whateva crap they put out, which means big ass royalty checks(which betta be in the contract, house producer or not). but i'd rather be independant.
  3. B

    Sha Money XL robbed at gunpoint

    u cant do everything u wanna do when u rich, especially just chillin in ya gully ass neighborhood. it doesnt matter who u are, niggas WILL hate, niggas WILL take whats convienent to them. fuck all dat 'keepin' it real' shit. u can find me in the woods.
  4. B

    Beats for MTV

    big moves good shit
  5. B

    What beat inspired you to become a producer/beatmaker?

    timbaland. 'big pimpin' and 'ride or die bitch' beats changed my life. thats when i decided i need to stop listenin' to hiphop n' start makin' the shit.
  6. B

    Is it me or producing a Club record is THE hardest thing?

    dat shit is so easy its disguisting. its a formula. just make sure u got the right club sounds. hard kicks, 808s, clap snare. not too much percussion, but unique percussion. yall know
  7. B

    Describe Your Best Production Work

    Yes, i got ALOT of tracks im holdin' for myself when i decide i wanna start rappin' seriously again. Cuz i dont think no one can rap on it right other than me. And i also have tracks im holdin' just in case i work with a major artist and i wanna impress a nigga. and i been workin' on a new...
  8. B

    Production Royalties

    im tryin' to get wit ASCAP. but i heard u have to do a record thats played on da radio and in retail first. and send them the proof that u actually do official shit to get a membership. so that means i dont collect royalties for dat release? or as soon as i givem proof, they give me a...
  9. B

    Working with a manager now

    good shit. big business.
  10. B

    CAN HIP HOP LIVE WITHOUT SAMPLING? (By foxxylady)

    i think if sampling was no longer used in hiphop, hiphop would die offically. sampling is something dat cant be excluded or replaced.
  11. B

    Lets Say You Make It Big....

    i'd still use FL n' cool edit. if its not broke dont fix it. i might add a keyboard or two. n' a mpc but my bread n' butta would be FL.
  12. B

    The Game ''The Documentary'' AMAZING TRACKLIST, u gotta see

    a very well put together album. dat shit had a dream budget.
  13. B

    ghost producing

    i'd ghost produce my ass off. if im gettin' paid, sheit. when its my turn, i'll step into the limelight.
  14. B

    What if ...

    u cant copyright a note. fuck dat
  15. B

    Madlibs brother makes 60 beats a month

    60 beats a month??? damn i could do 60 beats a month if i didnt have a job, an internship, school, etc. it doesnt really matter how many beats ya make in a time span. Everybodies different. wit those 60 beats, prolly only 15-20 of 'em are keepers. I say, dont force yourself to be...
  16. B

    ***Dealing Wit Big Time Labels***

    aiight thanks yall ima fill out this ASCAP form tomorrow. I might have more questions.. LOL
  17. B

    trademark or dba or both

    Im dealin' with the same shit.
  18. B

    ***Dealing Wit Big Time Labels***

    i think i might still fuck wit ASCAP tho. I got peoples that work there. So HOPEFULLY they'll make sure i dont get fucked off my publishing. Ima do research on BMI n' see what they talkin bout. But with either ASCAP or BMI. If im a producer what form do i fill out? the writer or publisher...
  19. B

    ***Dealing Wit Big Time Labels***

    Im not sure if ima get the lawyer on time. Right now im fuckin' wit ASCAP tryin' to get my publishing straight. My next question is with ASCAP. On the form it says that in order for me to get a membership i would have done shows n' actually put out official shit before...i did neither...
  20. B

    ***Dealing Wit Big Time Labels***

    This label just holla'd at me about some tracks 'n im bout to do a meeting wit them in like a month. To all the experienced producers in the biz....what do i do to get prepared for this shit, cuz i neva fucked wit anybody on this level before cuz i aint tryin to get fucked. my boy was...
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