Sacred One said:
How is the producers who aren't signed sellin beats, cuz I wanna go about selling some beats but I don't have any contracts or anything so whats should I do?
Ok man that's more focused after you explained it....you need to have contracts if you are a business, I have my own publishing company and registered business so I have to use paper and receipts etc for things I do not only selling beats, I use contracts and receipts, anyone that doesn't want to use it gets no beats...LOL i had a lawyer in Georgetown do a contract for me that I had, actually a client that I have did it when i licensed music for her yoga school, but I got the rough copies and use them, then I had a couple more versions for exclusive and non exclusive rights....
there are all kinds of terms that producers use to license beats, that in actuality is what I do because I maintain the integrity of the track and rights, so there is a bunch of legal jargon in there that basically covers me for the most part and controls how the track is to be used....or the contract is void....things like someone reselling the beat, chopping or remixing things that may lead to someone developing an entirely new and copyright worthy version of your work.....tons of other stuff, there are contracts, conferences and legal advice out there you just need to find the contracts that fit for you and what you want to do.....
selling a beat and getting money for it is sort of shakey because in actuality it is sort of understood you sold the beat....and also without any contracts.....you sold all of your rights to it...and if you deal with artists they really think they own it and it could become a problem from right there even if you tell them verbally it might not be enough....you need paper to define terms in a sale...that is also to protect you or at least give some protection in the event of a legal situation.