open mind said:
aight i got it after recording the vocals in mono whats next? the fact that i recorded it in mono does that mean that it is panned to one side?
no its centered when recorder in mono, before or after doesnt matter or would have any influence on...anything
if this is so then whats next dublicating the channel ? sorry for the noob questions but i never did that i always record in stereo what are the advantage of recording the vocals in mono and why is that recommended?
iam confused now lol
well nothing actualy, duplicating or trying to make a pseudo stereo track will only result in loss of a detail ( when recorded correctly and clean, meaning nutral eq and as hot as possible ). Might sound stupid to record the vocal as loud as possible but you need to in order to obtain the full spectrum and dynamics of your voice and quality of your mic. Once recorded you set the fader according to your mix, add eq and compression.
@Basterd;
The L/R xlr input can be used as you like, it doesnt mean it can only be used for stereo. You could tell if it was a dedicated mic channel by the option you would find on your mixer, mostly a stereo channel is put under one fader and mono has its own fader but feeding a stereo signal over two mono channels would be stereo over 2 faders, panning and eq. This is not always preferable as you might offset one of those, ideal would be to link the settings of one channel to the next so that they match. This is never an option on mixer, at least not that I can think of and thats why there are stereo channels with one fader.
There is a thing as matched pair of mics, each oem makes them but they are more aimed at recording background ambience, noise ( whatever ) stereo recording, overhead for drums etc to get a sense of being in the same environment of the recording. Dumb example but just imagine a nature documentary where a bird flies past the camera and you hear a chirp from left to right.