dahkter
Ill Muzikoligist
ill o.g.
Battle Points: 4
Hello,
I've been working on this archive project this summer, various recordings from 91-94, four track portastudio recordings.
On many of the recordings, the vocals are on channel one and two and the beat (meaning drums/guitar/bass/all music) is on channel three. Scratches are on channel four.
How can I take the mono comped track with all of the music, and make it more interesting in the stereo field?
Some ideas I have:
- Mid/Side decoder encoder
- Reverb / Delay (as they often turn mono into stereo, however I want to keep the track 95% dry)
- Exciter type plug in
- split into frequency range, pan certain frequencies left and right
Does anyone have any ideas or has anyone been through a similar experience that can help me liven these mono tracks up a little bit?
Thanks
I've been working on this archive project this summer, various recordings from 91-94, four track portastudio recordings.
On many of the recordings, the vocals are on channel one and two and the beat (meaning drums/guitar/bass/all music) is on channel three. Scratches are on channel four.
How can I take the mono comped track with all of the music, and make it more interesting in the stereo field?
Some ideas I have:
- Mid/Side decoder encoder
- Reverb / Delay (as they often turn mono into stereo, however I want to keep the track 95% dry)
- Exciter type plug in
- split into frequency range, pan certain frequencies left and right
Does anyone have any ideas or has anyone been through a similar experience that can help me liven these mono tracks up a little bit?
Thanks